Tuesday, May 30, 2017
ANOTHER CITY FOR ANOTHER LIFE
Sunday, May 28, 2017
Petrol and Coffee
Tuesday, May 09, 2017
Sunday, April 23, 2017
Friday, April 21, 2017
Wednesday, April 19, 2017
Sunday, March 19, 2017
'UNIFIED'

'UNIFIED'
Paul Conneally & Camilla Beresford 2017
'The images detached from every aspect of life merge into a common stream in which the unity of that life can no longer be recovered. Fragmented views of reality regroup themselves into a new unity as a separate pseudo-world that can only be looked at. The specialization of images of the world has culminated in a world of autonomized images where even the deceivers are deceived. The spectacle is a concrete inversion of life, an autonomous movement of the nonliving.' - Guy Debord
The original photograph was taken by the landscape historian Camilla Beresford at Stone Court', Knole Park - the elk antlers are prehistoric and found in an Irish peat bog.
'UNIFIED' flushed across my inward eye as soon as I saw the original.
Paul Conneally
March 19 2017
Monday, July 13, 2015
INVIGILATOR : DIGBETH

Thinking back to 'Invigilator : DIGBETH' discussions I am struck by oblique and direct references to boredom - the gallery invigilators job being referred to as sometimes boring.
When transposed to an outside space where the invigilator has to stand or sit and simply ‘watch over’ then the space and the action of simply watching over it sets up an interaction that is boring in such a way that it can transcend boredom if we let it… The space becoming bored of the invigilator throws up new facets new resonances between it and the 'watcher over’ the 'invigilator’ A couple of Invigilator:Digbeth participants said that they found the invigilating very zen like - another not at all - the invigilating passed-by with a contrived doing - a counting of and classification of vehicles passing through the invigilated space. Such actions are invoked by the space itself as it is watched over - after all it was only chance that the space invigilated happened to have cars passing through it - this counting this classifying borne out of the possibility of boredom.
“INVITE BOREDOM” - paul conneally 2008
Sunday, June 14, 2015
World's First Splacist Training Camp - Birmingham 2011

What Are The Splacists? The World’s First Splacist Training Camp
Conceived and led by splacist Nikki Pugh with Hannah Nicklin at MADE Birmingham November 30th 2011 with Paul Conneally in attendance.
A group of artists and architects make and use the camp as a base to interogate Splacist Manifesto 2.0 planning and then undertaking direct actions on the streets of Birmingham.
Later they meet with others on the rooftop of a multistorey carpark in Birmingham’s Jewellery Quarter to experience DUST a splacist work by Hannah Nicklin and Nikki Pugh.
splacist (splā sĭst)
A contemporary mode of practice proposed by Paul Conneally. A new set of ideologies defined by Hannah Nicklin and Nikki Pugh. A hop, skip and a jump away from phsychogeography and the works of the situationist international. Think space, place and splice.
'INVIGILATOR : DERBY' PAUL CONNEALLY at Pecha Kucha Coventry
Artist and Cultural Forager, Paul Conneally, talks in Coventry, UK, on his psychogeography / splacist exporation in partnership with artists Nikki Pugh and Kev Ryan 'INIVIGILATOR : DERBY'.

Photo: Kev Ryan
Thursday, January 09, 2014
Saturday, September 28, 2013
Easy Mother Expletives

outrageous crime victims do plastic
over the gym-shy marriage
before you put uniform in a bottle
pupils win hollywood sick boy
quite advanced elephant dung and seaside u-turn
right time to sunday music system
executive pension plan options easy as print
you go in bank friday
liar at college is just heroine
unworkable ex-prisoners play comfort
rest help us plant wednesday show
grrrl power – thrown out spare time
remarkably easy mother expletives deleted
grass becomes the woodstock
come magnum write off fans to be
film under attack before gm foods
the best knew some were check-a-go-go
A ‘SHREADLINES’ piece by Paul Conneally, Loughborough Market Place 2000
"passers-by are asked to pick five pieces of cut-up newpaper text out of a bag at random
then to make a headline or shreadline using three or more of the pieces
then to stick it to a piece of found cardboard
the finished piece is both a literary work and a visual art piece
it should be read out loud with a strong rhythm and a good pace
preferably in a public space like a busy market place or town square
go and do it now
or go and make one in your town centre”
Paul Conneally
http://burnthewater.wordpress.com/2013/09/27/easy-mother-expletives/