Showing posts with label Situationist. Show all posts
Showing posts with label Situationist. Show all posts

Tuesday, May 30, 2017

ANOTHER CITY FOR ANOTHER LIFE


ANOTHER CITY FOR ANOTHER LIFE

"The increasing dissatisfaction that dominates the whole of humanity will arrive at a point at which we will all be forced to execute projects whose means we possess, and which will contribute to the realization of a richer and more fulfilled life."

Internationale Situationniste #3 (December 1959)


Photograph: Pentland Road Dronfield Woodhouse Drift May 2017 Paul Conneally

Sunday, May 28, 2017

Petrol and Coffee

Psychogeography - image during drift by Paul Conneally Dronfield Woodhouse England May 2017

"Until the environment is collectively dominated, there will be no individuals — only spectres haunting the objects anarchically presented to them by others. In chance situations we meet separated people moving randomly. Their divergent emotions neutralize each other and maintain their solid environment of boredom. As long as we are unable to make our own history, to freely create situations, striving toward unity will introduce other separations. The quest for a central activity leads to the formation of new specialisations."

Guy Debord

Critique of Separation 1961


Photograph: 'PETROL & COFFEE' - Paul Conneally - Dronfield Woodhouse - May 2017

Sunday, April 23, 2017

Friday, April 21, 2017

PEOPLE CREATED A CULTURE WHICH CONFRONTED THEM AS AN ALIEN FORCE

Political art by Paul Conneally - modern situationist text art detournement

PEOPLE CREATED A CULTURE WHICH CONFRONTED THEM AS AN ALIEN FORCE

Paul Conneally
April 2017

Sunday, March 19, 2017

'UNIFIED'

Detournement of photograph by Camilla Beresford by Paul Conneally art situationist print

'UNIFIED'

Paul Conneally & Camilla Beresford 2017

'The images detached from every aspect of life merge into a common stream in which the unity of that life can no longer be recovered. Fragmented views of reality regroup themselves into a new unity as a separate pseudo-world that can only be looked at. The specialization of images of the world has culminated in a world of autonomized images where even the deceivers are deceived. The spectacle is a concrete inversion of life, an autonomous movement of the nonliving.' - Guy Debord

The original photograph was taken by the landscape historian Camilla Beresford at Stone Court', Knole Park - the elk antlers are prehistoric and found in an Irish peat bog.

'UNIFIED' flushed across my inward eye as soon as I saw the original.

Paul Conneally
March 19 2017

Monday, July 13, 2015

INVIGILATOR : DIGBETH

Invigilator Digbeth Paul Conneally and Nikki Pugh Birmingham psychogeography splacist

Thinking back to 'Invigilator : DIGBETH' discussions I am struck by oblique and direct references to boredom - the gallery invigilators job being referred to as sometimes boring.

When transposed to an outside space where the invigilator has to stand or sit and simply ‘watch over’ then the space and the action of simply watching over it sets up an interaction that is boring in such a way that it can transcend boredom if we let it… The space becoming bored of the invigilator throws up new facets new resonances between it and the 'watcher over’ the 'invigilator’ A couple of Invigilator:Digbeth participants said that they found the invigilating very zen like - another not at all - the invigilating passed-by with a contrived doing - a counting of and classification of vehicles passing through the invigilated space. Such actions are invoked by the space itself as it is watched over - after all it was only chance that the space invigilated happened to have cars passing through it - this counting this classifying borne out of the possibility of boredom.

“INVITE BOREDOM” - paul conneally 2008

Sunday, June 14, 2015

World's First Splacist Training Camp - Birmingham 2011



What Are The Splacists? The World’s First Splacist Training Camp
Conceived and led by splacist Nikki Pugh with Hannah Nicklin at MADE Birmingham November 30th 2011 with Paul Conneally in attendance.

A group of artists and architects make and use the camp as a base to interogate Splacist Manifesto 2.0 planning and then undertaking direct actions on the streets of Birmingham.

Later they meet with others on the rooftop of a multistorey carpark in Birmingham’s Jewellery Quarter to experience DUST a splacist work by Hannah Nicklin and Nikki Pugh.

splacist (splā sĭst)
A contemporary mode of practice proposed by Paul Conneally. A new set of ideologies defined by Hannah Nicklin and Nikki Pugh. A hop, skip and a jump away from phsychogeography and the works of the situationist international. Think space, place and splice.

'INVIGILATOR : DERBY' PAUL CONNEALLY at Pecha Kucha Coventry

Pecha Kucha Coventry | Vol 8 | Paul Conneally from MINDRIOT PRODUCTIONS on Vimeo.

Artist and Cultural Forager, Paul Conneally, talks in Coventry, UK, on his psychogeography / splacist exporation in partnership with artists Nikki Pugh and Kev Ryan 'INIVIGILATOR : DERBY'.

 Invigilator Derby Paul Conneally Kev Ryan Nikki Pugh psychogeography splacist

Photo: Kev Ryan

Thursday, January 09, 2014

Smile with Jean-Paul Sartre


“I'm going to smile, and my smile will sink down into your pupils, and heaven knows what it will become.” 

Jean-Paul Sartre
No Exit

Image adapted from a 1950s advert for skin cream and placed with this text as part of the 'Quota' series by Paul Conneally

Saturday, September 28, 2013

Easy Mother Expletives

outrageous crime victims do plastic

over the gym-shy marriage

before you put uniform in a bottle

pupils win hollywood sick boy

quite advanced elephant dung and seaside u-turn

right time to sunday music system

executive pension plan options easy as print

you go in bank friday

liar at college is just heroine

unworkable ex-prisoners play comfort

rest help us plant wednesday show

grrrl power – thrown out spare time

remarkably easy mother expletives deleted

grass becomes the woodstock

come magnum write off fans to be

film under attack before gm foods

the best knew some were check-a-go-go

A ‘SHREADLINES’ piece by Paul Conneally, Loughborough Market Place 2000

"passers-by are asked to pick five pieces of cut-up newpaper text out of a bag at random
then to make a headline or shreadline using three or more of the pieces
then to stick it to a piece of found cardboard
the finished piece is both a literary work and a visual art piece
it should be read out loud with a strong rhythm and a good pace
preferably in a public space like a busy market place or town square
go and do it now
or go and make one in your town centre” 

Paul Conneally
http://burnthewater.wordpress.com/2013/09/27/easy-mother-expletives/

outrageous crime victims do plastic

over the gym-shy marriage

before you put uniform in a bottle

pupils win hollywood sick boy

quite advanced elephant dung and seaside u-turn

right time to sunday music system

executive pension plan options easy as print

you go in bank friday

liar at college is just heroine

unworkable ex-prisoners play comfort

rest help us plant wednesday show

grrrl power – thrown out spare time

remarkably easy mother expletives deleted

grass becomes the woodstock

come magnum write off fans to be

film under attack before gm foods

the best knew some were check-a-go-go

A ‘SHREADLINES’ piece by Paul Conneally, Loughborough Market Place 2000

"passers-by are asked to pick five pieces of cut-up newpaper text out of a bag at random
then to make a headline or shreadline using three or more of the pieces
then to stick it to a piece of found cardboard
the finished piece is both a literary work and a visual art piece
it should be read out loud with a strong rhythm and a good pace
preferably in a public space like a busy market place or town square
go and do it now
or go and make one in your town centre”

Paul Conneally

http://burnthewater.wordpress.com/2013/09/27/easy-mother-expletives/

Saturday, June 08, 2013

New Century Works - Interventions and Works


NEW CENTURY WORKS
Paul Conneally & Maurice Maguire

Coming soon a new series of interventions and works at Snibston Discovery Museum

Saturday, May 25, 2013

Situationist Media Freedom


   
Electronic Agora - Situationist Media Freedom