Showing posts with label London. Show all posts
Showing posts with label London. Show all posts

Sunday, October 30, 2016

ホッチキス HOTCHKISS - EMMA'S DELL (Deep Thought Mix) - Video & Lyrics





a small stream 
running with a young man’s speed
the sound of water
through budding groves


she weaves between 
still traffic
sirens wail 
building to building



in the confusion a leafless ash-tree
in the coffee-shop dirt under her nails
alive to the world 
a song bird vying with a waterfall



neon signs
flick on and off
sidewalk daisies
swapping stories



a single cottage
on the distant mountain
bright green hawthorn
talking to shepherds



in the confusion a leafless ash-tree
in the coffee-shop dirt under her nails
alive to the world 
a song bird vying with a waterfall


Lyrics: Paul Conneally
Music: Shuntaro Netsu and Paul Conneally

Saturday, September 24, 2016

OXFORD CIRCUS STATION



OXFORD CIRCUS STATION

The hustle and bustle of London's Oxford Street just before the rush hour. When it's excitingly busy without hemming your body and mind in too much.

The Evening Standard newspaper, I was going to say vendor but they are handed out for free now, sat half on half off the tube station entrance. Shall I pick one up here or outside the mainline station? I'll wait till later.

a blast of warm air
from the underground station
Marilyn Monroe

Little Onion
September
2016

Photograph: Paul Conneally 2016

Wednesday, June 08, 2016

After The Mowing



after the mowing
a cup of sakura tea
in the old orchard

Little Onion

for Sake no Hana the modern Japanese restaurant in Mayfair, London where Little Onion is resident haiku master.

Friday, April 29, 2016

On the Allotment - Mile End Arts Pavilion




'On the Allotment'
One Off Ceramic Tile Series
Paul Conneally
Mile End Arts Pavilion, London, 2006

"Allotment holders on the Windmill Allotments in Nottingham talked with me about their time 'on the allotment' and shared with me ten words or short phrases that came to mind on that day, at that time, on the allotment. I then used these to create 'wordsearch portraits' of them. Their words were coloured using a strict system approach with each wordsearch being both a portrait and a poem of that person on their allotment at that time. The portraits were initially laid down on concrete paving stones within Windmill Community Gardens and then made into one off ceramic tiles which formed part of The Renewability exhibition at Mile End Arts Pavilion in London. After the show the tiles were returned to Windmill Community Gardens and installed on an open shed structure to become 'The Portrait Shed' where they slowly changed with the weather and the seasons eventually cracking, breaking, becoming crocks for plant pots."

Paul Conneally


The Portrait Shed - Paul Conneally 2007

Saturday, April 02, 2016

Cherry Blossom Moon

Little Onion aka Paul Conneally for Japanese restaurant Sake no Hana in London

stuck to the bottom
of his patent leather shoe
cherry blossom moon

Little Onion

for Sake no Hana the modern authentic Japanese restaurant in London

Monday, October 05, 2015

Announcement of a Provisional Congress for the Psychogeographic Fragmentation of the London Agglomeration - Guy Debord 1956

Source: Oeuvres. Gallimard, Paris, 2006;
Translated: from the original for marxists.org by Mitchell Abidor;
CopyLeftCreative Commons (Attribute & ShareAlike) marxists.org 2008.


'Diversion End' Paul Conneally 2015

In the month of August we propose to bring together for a week a certain number of individuals called on to discuss the first concrete results of psychogeography; of that discipline’s place in the group of problems posed by the creation of a new culture, and the possibilities of its concrete application to the city of London. At the end of this week of discussions the group will enter into action in order to verify by experience some of the theoretical conclusions of the Congress. 


This action will inevitably take on multiple – and occasionally violent – aspects. Its usefulness will principally reside in the study of the effects, on a great modern urban center, of a series of rapid and sustained shocks calculated to introduce -during a period limited to one month – an element of uncertainty in the normal social and affective organization of the city. 


We recognize that an urban agglomeration the size of London represents nothing psychogeographically. It is important in the very beginning to divide it into several clearly defined zones. And then, within these juxtaposed zones, we must study the placement and limits of the different ambience units in order to utilize them in function of our plans, and to anticipate their emotional perfecting by means of an appropriate architecture and urbanism. 


We know that the inhabitants of London, like those of all the other cities of current society, suffer from nervous problems, which are the inevitable consequence of today’s urbanism and, more generally, of a profound mental misery, which is a product of our primitive society. 


We feel ourselves capable of participating, in the important sector of the modern sensibility, in the labor of change our times demand. It is with this goal in mind that we are undertaking the London experiment. It is a matter of offering everyone the chance of adopting a global solution to the problems of 1957. The solution offered will exercise a radical influence on activities of all kinds: plastic, psychological, musical, political, literary, social, journalistic, erotic, popular, military, philosophical, cinematographic, aristocratic, pedagogical, commercial, religious, culinary, architectural, etc. 


In fact, we hope to assemble in London experts in the revolution in every aspect of life in order to work together at the creation of transitory affective situations consciously constructed. 


It isn’t currently possible to foresee the results of such activity. We invite all those who want to participate in its invention to contact the organizing committee. 


Organizing Committee of the Provisional Congress for the Psychogeographic Fragmentation of the London Agglomeration. 


Guy Debord 1956


c/o I.C.A. 17-18 Dover St, Piccadilly, London, W1
Potlatch, 32, rue de la Montagne-Geneviève, Paris 5



Sunday, May 18, 2014

The Fall of London - James Boswell


James Boswell - The Fall of London: Museum 1933 Lithograph on paper

In his series The Fall of London Bosworth gives us a city under siege but who from?

The Tate, where the lithographs can be seen, suggests that the images portray a London invaded by fascists. There are scenes of body strewn streets. Here, in Museum, a pile of dead people sits at the top of the steps, in others men hang from lamp posts.

This 'fascist invasion' interpretation is probably more palatable than the actual vision Bosworth was channelling, one not of invasion from without but from within. The people of London broken by unemployment, class division and poverty, rising up against itself as groups get behind a homespun fascist movement.

The lithographs are a particular vision of what London's streets could have become and in fact could still become given particular circumstances.

They are powerful images undermined somewhat by the Tate's view that they portray an outside invasion rather than contemplate that Londoners could in certain circumstances turn to fascism.

For those that wonder what a possible fascist or genocide perpetrator might look like take a look in the mirror and keep that face in mind.

The power for good and evil is in all of us, choose wisely.

Paul Conneally

May 18 2014

Monday, October 14, 2013

Sweet Chestnuts

If you are in or around London St Pancras International Station and you have a little time visit the British Library.
It’s right next to the station on Euston Road. In fact if you need the toilet and you’re in the station I’d advise a trip next door. Do what you need to do for free in comfort and close proximity to Shakespeare first folios and other treasures.
The cafe is good and the exhibitions usually worth a look. Of course it’s also a place for serious study but me I’m generally there for the being there, a coffee and to people watch until it’s time for my train back north.
sweet chestnuts
the security guard
waves through my bag
Paul Conneally
London 2013

Wednesday, October 09, 2013

After Work Drink



after work drink 
a sweep of starlings 
over Wandsworth Bridge 

Paul Conneally
http://t.co/zDtNBeulEm