Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts

Monday, May 06, 2019

‘SE T VP’ Involuntary Painting Birmingham UK


Involuntary painting found during artist Cathy Wade’s Paradise Remix walk through Birmingham city centre.

The walk started inside Vivid Projects. It explores “how the voice/body can articulate itself within digital/physical space. The route chosen considers how urban sites are navigated, their affect on day to day lived experience and the potential they hold for radical transformation.”

Read more about Paradise Remix here: Paradise Remix

Paul Conneally
May 5th 2019

Links:

Cathy Wade profile at BCU

Vivid Projects - Vivid Projects


Sunday, January 27, 2019

'Frankie Was Shocked' - Paul Conneally 2019

‘Frankie Looked Shocked’
watercolor and sharpie on cardboard
Paul Conneally 2019
From the new and ongoing series of work 'Sun Says'
Contact: Love & Barley – LoveandBarley@googlemail.com for information, pricing and commissions

Wednesday, August 31, 2016

The Critics (1922) - Harold Harvey (1974-1941)



The Critics 1922 
Harold Harvey (1874-1941)

Born in Penzance, Harold Harvey was the only Cornishman to play a significant role in both the Newlyn School and the Lamorna group. He and his wife, Gertrude, were close friends with many of the second generation artists, including Dod and Ernest Procter and Laura and Harold Knight.

Friday, June 24, 2016

The Courtyard - Forest Lodge Primary School, Leicester

Soft Touch Arts Arcts Council England Leicester Involuntary Painting Millree Hughes Paul Conneally

The Courtyard - Forest Lodge Primary School

The Courtyard is a representation of the area outside the main reception of the new Forest Lodge Primary School building in New Parks, Leicester.

I introduced 9 and 10 year olds at the school to Max Ernst, Dada and frottage. It builds on my work with them around Guy Debord and the Situationist International the week before and combining the two we argue that the above is just as much a picture of the front of the school as any traditional painting or drawing. The work is part of a three workshops that I also consider a piece in itself, the children and their actions part of the work.

'The Gallery of the Street is Open' is a slogan from the Involuntary Painting movement that myself and New York based artist Millree Hughes initiated in 2013/14. We have pursued actions across New Parks and New York with Soft Touch Arts and New York based artists from the IP Movement including Brad Melamed, Andrea Evans, Lucien Samaha, Michael Lee Nirenberg, Cezare Ramone and Judy Rhee.

This school based section of our work is with Forest Lodge and Parks Primary. Pupils involved have now been given disposable cameras to photograph Involuntary Paintings and other things that strike the children as they walk into school.

The work is with and for Soft Touch Arts, Arts Council England, Leicester City Council Libraries Service and the Raising Achievement Team. Artists Lauren Ann Park and Sally Norman have been invaluable in their work and support across all Involuntary Painting New Parks : New York interventions and workshops.

Paul Conneally
June 2016

Friday, April 08, 2016

Two Jamaican Girls



Two Jamaican Girls - Augustus John 1937

This painting is in The Walker Gallery, Liverpool, UK.
It seems to shout across the room "Come look at me!"

Wyndham Lewis describes the artist, Augustus John, as:

‘a great man of action into whose hands the fairies had placed a paintbrush instead of a sword’.

If you are in Liverpool a visit to The Walker Gallery is a 'must do' - do it!

Paul Conneally
April 2016

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Thursday, March 31, 2016

'The Don Juan Deli' Moving On - Involuntary Painting 2 New Parks : New York



This map shows the transposed location of New York's 'Don Juan Deli' from Forsyth Street in New York to New Parks in Leicester.



It's location in New Parks was discovered by the Creative New Parks Group walking out with artist Paul Conneally from New Parks Centre Library following the directions given to them by New York artist, Brad Melamed, from his home in New York to the Don Juan Deli.

The Don Juan Deli is at the site of a ventilation tower for the now disused Glenfield Tunnel which was only the second such railway tunnel ever built on a passenger line. It was designed by the famous railway engineer George Stephenson and built between 1829–32 under the supervision of his son Robert.


This ventilation tower is now named 'The Don Juan Deli' and will feature on the new map of New Parks coming out of 'Moving On - Involuntary Painting 2 New Parks : New York' by artists Millree Hughes (New York) and Paul Conneally (Loughborough).


Here's Christine Blackmore working on the map in New Parks Centre Library:


'Moving On - Involuntary Painting 2 New Parks : New York' is a work by artists Millree Hughes (New York) and Paul Conneally (Loughborough) with and for Soft Touch Arts, Leicester City Council and Arts Council England.

Wednesday, February 03, 2016

Involuntary Painting 1 New Parks : New York Installation



February 3rd 2016 - the official opening of Involuntary Painting 1 New Parks : New York, a public art work conceived by Artists Millree Hughes and Paul Conneally and incorporated into the fabric of New Parks Centre Library, Leicester.

The work was made with members of the Creative New Parks group with input from artists in New York, with and for SoftTouch Arts Leicester City Council Libraries and Arts Council England.

This photograph shows one element of the work, a kerb and tyre mark on St Oswald Road, opposite the library and seen in this photograph through the library window, identified and photographed in series as an involuntary painting by local resident Colin Murphy with Conneally and now applied to the windows of the library itself.

This is just one element of the whole IP1NPNY installation which can be viewed and occupied daily (except Sundays) from today onwards at New Parks Library which is itself part of the work.

Sunday, December 20, 2015

Stacked - George Sfougaras



'Paul Conneally' by George Sfougaras

Part of George's experiments with light and dark - acrylic paint on birch board then cut up into squares and recombined... for me the work also works when stacked...


'Stacked Portrait of Paul Conneally' - George Sfougaras

George Sfougaras works out of his studio in the new and brilliant Leicester Print Workshop where continually explores the possibilities of painting, print, art.

Wednesday, October 28, 2015

Artist Millree Hughes talks on the move from New York to New Parks Involuntary Painting Group


Millree Hughes talks on the move from New York to New Parks Involuntary Painting Group as they prepare in March 2015 to explore their area via involuntary painting. This was part of a six week intervention and workshop piece 'Involuntary Painting 1 New Parks : New York' with and for Soft Touch Arts and Leicester City Council New Parks Library and members of the New Parks community.

Involuntary Painting is a term first coined in this context by New York artist Millree Hughes and further developed by Hughes with UK based cultural forager Paul Conneally.

Involuntary painting asks if an alien landed on Earth with all the knowledge painting but never having seen one what might it mistake for a painting that wasn't intended as one?

Hughes and Conneally set up their ongoing artwork, the 'Involuntary Painting Facebook Group' in October 2014. The first Involuntary Painting Show was Involuntary Painting 1 New Parks : New York at Soft Touch Arts, New Walk, Leicester and was opened by HRH Prince Edward.

#involuntarypainting 

Friday, July 17, 2015

Saturday, July 04, 2015

Our Painted Soles



“Our painted soles, walking or running with no regard to where they land down a long roll of paper” - Paul Conneally

from ‘Involuntary Painting 1 New Parks : New York’ Millree Hughes & Paul Conneally and people from New Parks community with and for Soft Touch Arts and New Parks Library, Leicester, UK

Friday, April 17, 2015

Kerb and Tyre Mark - The Involuntary Painting 1 New Parks : New York Group April 2015



The collating / collaging of Colin Murphy and Paul Conneally's long series of photos of the IP kerb and tyre mark by the Involuntary Painting 1 New Parks : New York group and we are back with John Cage and Robert Rauschenberg and their 'Automobile Tire Print - 1953' where Cage made a voluntary tire print for Rauschenberg by driving a car with paint on its wheels along a strip of stuck together sheets of paper - our tyre mark was involuntarily made by some driver or another and spotted by Colin Murphy opposite New Parks Library.


'Automobile Tire Print' Robert Rauschenberg 1953

'Involuntary Painting' is a term first coined in this context by New York based artist Millree Hughes and further developed by Hughes with British artist and poet Paul Conneally.

'Imagine an alien lands on Earth with all the knowledge of modern painting but never having seen one. What might they mistake for a painting as they walk around?'

'Involuntary Painting 1 New Parks : New York' is a project / work conceived by Hughes and Conneally for and with Soft Touch Arts,New Parks Library and local community adults and children in Leicester UK. The project received support from Arts Council England and Leicester City Council.


Members of the 'Involuntary Painting 1 New Parks : New York' work to collage the Involuntary Painting photo series of a kerb and tyre mark by Paul Conneally and Colin Murphy

Leicester April 15 2015

Tuesday, April 07, 2015

SAVAGE NUNEATON - Colin Murphy 2015



'SAVAGE NUNEATON' - Colin Murphy 2015

'SAVAGE NUNEATON' is a frottage piece by Colin Murphy made as part of Involuntary Painting 1 New Parks : New York in New Parks, Leicester.

The piece is one of a number of pieces made by the IP1NPNY group during a session where they met through artists Millree Hughes and Paul Conneally, the work of Max Ernst, then explored and identified 'involuntary paintings' in the area around Aikman Avenue shops in New Parks, near New Parks Library where the group is based, then making frottage, rubbings, of and from them.

The works were made on the day before King Richard III was reinterred in Leicester Cathedral and are collectively called 'The King Richard III Municipal Services Memorial Collection'. Many of the memorial collection feature sewerage manhole covers and other service access plates.

It is a voluntary artwork out of a feature initially identified as an 'involuntary painting'.

The New Parks community involuntary painting group is linked with a group of artists in New York who exchange comments and encouragement with them via the internet.

Involuntary Painting 1 New Parks : New York is a project conceived by artists Millree Hughes (New York, USA) and Paul Conneally (Loughborough, UK) with and for Soft Touch Arts and New Parks Library with support from Arts Council England.

Note: Involuntary Painting is a term invented and coined for use in this context by Millree Hughes and further developed by Hughes with Paul Conneally:

'If an alien landed on Earth programmed with all the knowledge of modern art and painting what might they as they wandered around mistake for a painting?'

These mistakes are what Hughes and Conneally call 'involuntary paintings'. Surfaces and objects marked by time, mould, human and natural activity as stand-ins for the pigment, ground, support etc of voluntary painting, voluntary art.

April 2014

Saturday, April 04, 2015

ROAD OSWALD ST - Carl Alex Tincknell



'ROAD OSWALD ST' - Carl Alex Tincknell 2015

'ROAD OSWALD ST' is a frottage piece by Carl Alex Tincknell made as part of Involuntary Painting 1 New Parks : New York in New Parks, Leicester.

The piece is one of a number of pieces made by the IP1NPNY group during a session where they met the work of Max Ernst, explored and identified 'involuntary paintings' in the area around Aikman Avenue shops in New Parks, near New Parks Library where the group is based, and then made frottage, rubbings, of and from them.

The works were made on the day before King Richard III was reinterred in Leicester Cathedral and are collectively called 'The King Richard III Municipal Services Memorial Collection'. Many of the memorial collection feature sewerage manhole covers and other service access plates. This particular work 'OSWALD ROAD ST' is from the road sign for St Oswald's Road directly opposite New Parks Library. On maps, and when people speak of this road it is as St Oswald's Road but the road sign is missing an 'S' hence just 'OSWALD'. Carl decided to alter the order of the words during the rubbing, the frottage process and to move it from an horizontal to a vertical reading.

It is a voluntary artwork out of a feature initially identified as an 'involuntary painting'.

The New Parks community involuntary painting group is linked with a group of artists in New York who exchange comments and encouragement with them via the internet.

Involuntary Painting 1 New Parks : New York is a project conceived by artists Millree Hughes (New York, USA) and Paul Conneally (Loughborough, UK) with and for Soft Touch Arts and New Parks Library with support from Arts Council England.

Note: Involuntary Painting is a term invented and coined for use in this context by Millree Hughes and further developed by Hughes with Paul Conneally:

'If an alien landed on Earth programmed with all the knowledge of modern art and painting what might they as they wandered around mistake for a painting?'

These mistakes are what Hughes and Conneally call 'involuntary paintings'. Surfaces and objects marked by time, mould, human and natural activity as stand-ins for the pigment, ground, support etc of voluntary painting, voluntary art.

April 2015

Friday, March 20, 2015

The Polarity of Matter and Spirit #5



The Polarity of Matter and Spirit #5
New Parks Involuntary Painting Bus Shelter Photo Booth
Paul Conneally
Leicester
March 19th 2015

Friday, October 31, 2014

The Polarity of Spirit and Matter



The Polarity of Matter and Spirit
Involuntary Painting
Paul Conneally
Leicester
2014

Tuesday, October 28, 2014

Loughborough by the Sea - Paul Gent


Sun, Sea and Socks! - Paul Gent

Artist Paul Gent imagines Loughbohemia, currently landlocked, as it might be if global warming and the melting of the ice caps continues.

Paul Conneally


Thursday, September 18, 2014

Voluntary Victim Of An Illusionary God

Voluntary Victim Of An Illusionary God
Involuntary Painting
Paul Conneally
Whitwick 2014

Friday, August 22, 2014

Shrouded in Steam


a street seller
shrouded in steam
takoyaki

Paul Conneally


Painting: Two Octopi by John Singer Sargent